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greatness of Toronto today can only be exceeded by the Toronto we
imagine and create tomorrow.
“The one
responsibility a city has is the encouragement of the possibility
of excellence. The extent to which it addresses this duty is how,
in comparison to the great cities of the world, it will be judged.
Excellence of education, excellence of health care, excellence of
baseball, of public transportation, of commerce, of charity, of
waterfront, excellence of art galleries, excellence of justice,
excellence of opera — to name but a few of the impossible
ambitions of a city that might aspire to greatness.
It is not necessarily
the city’s responsibility to achieve these goals, or to pay
for them, but it is its job to make room for their possibility,
and to celebrate when, against so many odds, that possibility becomes
reality.
That’s
what cities are for.”
David Macfarlane
THE GLOBE AND MAIL, R7, JUNE 10, 2006
When
Torontonians take cultural risks, the evidence suggests that the
results are impressive. The $7 million restoration of The Carlu,
a special events venue designated a National Historical Site, has
seen the space returned to its 1930s glory to become one of Toronto’s
most glamorous and distinctive venues. Similarly, the provocative
architecture of OCAD’s new Sharp Centre for Design has made
a well-deserved splash in the world of architecture and design.68
The Toronto International Film Festival and the International Festival
of Authors have grown from shaky beginnings to earn a place amongst
the premier events in their respective industries. The unique urban
programming pioneered by CityTV is now admired and emulated by television
stations around the world.
Despite these
impressive initiatives, Toronto remains largely risk-averse, charting
a cautious course that limits the expression of our voice and vision
as a creative city. Bold visions, daring projects and creative ‘firsts’
must be encouraged and celebrated. This encouragement must come
from and also be offered to governments, agencies and enterprises.
Toronto has plenty of
bragging rights when it comes to creative and cultural achievements,
but rarely exercises them. Humble, unassuming Toronto must overcome
its hesitation to brag. It needs a more aggressive approach to tell
and sell its remarkable creative story to its residents and to the
world.
Many of our
creative assets have already moved into the spotlight under the
City of Toronto’s ‘Live with Culture’ banner.
The City has also recently launched its ‘face the arts’
recognition program to identify extraordinary individuals in the
areas of community arts activism and other forms of creative expression
– cultural mavericks who have enriched the life of the city.69
Recent provincial government moves to enhance Toronto’s creative
reputation include a 2006 budget dedication of $49 million to support
Ontario’s major cultural agencies and attractions. The Art
Gallery of Ontario, Royal Ontario Museum, Canadian Opera Company,
National Ballet School, Royal Conservatory of Music and Gardiner
Museum of Ceramic Art will all receive funding to help them realize
their full economic potential as premier tourist attractions. Also,
Premier Dalton McGuinty recently appointed a special advisor on
the Future of the Greater Toronto Area and Creative Cities. Toronto
needs to build on the success of such initiatives, broaden their
scale and scope, and take the telling of the city’s story
to the next level. Manchester
achieved this by appointing a Creative Director whose job is to
bring life to the creative expression of the city’s image.70
Another possibility would be to create the position of
Toronto Publicist to promote the city both here at home and to the
rest of the world.
Embracing a
culture of risk-taking and proudly proclaiming our creative story
will help Torontonians to develop a proud vision of their city and
the strong voice of a world-leading creative city.
You can’t
enforce an attitude. You can’t legislate the human heart.
But, you can inspire it by an example of passion and risk-taking,
in an atmosphere in which passion and risk-taking can take place.
This is the job of the city at large, to understand that passion
and risk begin in daily encounter, on the canvas of everyday life.
Pier Giorgio Di Cicco, Toronto Poet Laureate to Mayor’s Roundtable
on Arts and Culture – December 2004
At the outset
of this document, we framed an opportunity and a challenge now facing
Toronto. The opportunity is to build on our already impressive assets
and unique characteristics as a culturally diverse, socially harmonious,
economically balanced and liveable place to enhance our position
as a dynamic, attractive and globally-recognized creative city.
The challenge stems from the increasingly aggressive strategic steps
taken by competitor cities around the world to position themselves
as creative economy leaders, at a time when the commitment to such
actions in Toronto remains piecemeal, inconsistent, half-hearted
and fragmented.
By
addressing the key opportunities identified in this report in a
concerted, connected and strategic way, by engaging the energy,
commitment, resources and ingenuity of a broad range of actors –
public sector, private sector and non-profit alike – and by
providing an appropriate level of funding to support these initiatives,
this city-region is poised to become the dynamic centre of creativity
and cultural expression imagined by the leaders whose letter introduced
this strategy document. The time to act is now.
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